Welcome to my blog. I hope you enjoy reading some of the pieces I've chosen for this site. 'First lines are easy, it's all the other lines that are difficult'... Moliere said something like that. And he knew a thing or two about writing.
Sunday, January 30, 2011
the final stone (aros 31)
In Aotearoa
I'm first to see the dawn
on the final day of
a river of stones
my fledgling stone has grown
and now set free
will find its way to fly each day
and if it doesn't reach the stars
well
the moon is no mean feat
Saturday, January 29, 2011
the penultimate stone (aros 30)
here goes
the penultimate stone
(there's an end of term feeling
about it)
but it's cast now
and sends ripples far and wide
that become part of the bigger stream
the deeper river
the ocean of creativity
that's out there
long weekend (aros 29)
sitting at my usual table
outside my favourite coffee shop
I watch visitors in transit
ease stiff joints and aching backs
from stuffy cars stacked with
weekend stuff
I'm glad I'm not going anywhere
after the storm (aros 28)
the sun shines
knee deep ponds
of fresh rain water
become swimming pools
for children still on holiday
and seagulls traumatized by Wilma
Friday, January 28, 2011
walk the grid (aros 26)
where has it come from
this puddle of clear water
making its home on my carpet?
last night's storm and a drip on a light fitting
suggest a break in
too much CSI viewing?
Monday, January 24, 2011
small world (aros 24)
I saw an alpaca today
sharing its home with a
goat and two sheep
funny the creatures you meet
in a small world
Saturday, January 22, 2011
King Tide (aros 23)
the Pacific Ocean
creeps into my garden
heads straight for my door
check measurements
check timings
check sandbags
check floor
then the wind eases
boats swing on their moorings
the tide turns...
calm reigns once more
Friday, January 21, 2011
Thursday, January 20, 2011
Sunrise (aros 21)
at this point in time
there's nothing to be done
save sitting and watching the
spectacle unfold
for how long can you hold the day at bay?
Wednesday, January 19, 2011
Tuesday, January 18, 2011
Monday, January 17, 2011
A book worth talking about... The Known World
The Known World, a first novel by Edward P. Jones, won the 2004 Pulitzer Prize and the 2005 IMPAC Award. It joins a long list of novels about slavery, the slave trade and life on the plantations of the southern states of America. The Known World differs from others in this genre, however, in that the slave owners are black and former slaves themselves.
At the start of the novel the reader is introduced to a great many characters in a few pages. You wonder how you will keep up. Especially as these characters confront you with their price tag intact. By stealth, Jones attempts to persuade you to view humans as property... legacy... a commodity that is insurable against accident but not really against age and wear and tear. Where lash marks on a man's back may reduce his potential price by $5 a scar, necessitating other, less visible forms of punishment. You find yourself doing the sums. You can visualize the accounts book. Give a bit here, take a bit there. If that involves splitting up a lifetime partnership, well so be it. Marriages can be inconvenient. The books must balance.
This book is not an easy read, but well worth the effort. Using multiple narrators, many tales are told by different people, so very different points of view are juxtaposed. Time is fluid and, in the manner of oral story-telling, moves back and forth. The reader needs to work a little.
The most startling revelation, that a black slave owner can end up owning his own parents and siblings, shifts the familial dynamics in ways that surprise and shock. Black slave owners inhabit two worlds. To be taken seriously as businessmen and women, they must be seen to be working within established systems. The Abolitionists are making progress, yet the move towards freedom is fraught with moral, social and political complexities. For the slaves, their known world can feel safer than the new one on the horizon.
The Known World is a novel that creeps up on you. You feel inhabited by something sinister and unpalatable, but also unputdownable.
At the start of the novel the reader is introduced to a great many characters in a few pages. You wonder how you will keep up. Especially as these characters confront you with their price tag intact. By stealth, Jones attempts to persuade you to view humans as property... legacy... a commodity that is insurable against accident but not really against age and wear and tear. Where lash marks on a man's back may reduce his potential price by $5 a scar, necessitating other, less visible forms of punishment. You find yourself doing the sums. You can visualize the accounts book. Give a bit here, take a bit there. If that involves splitting up a lifetime partnership, well so be it. Marriages can be inconvenient. The books must balance.
This book is not an easy read, but well worth the effort. Using multiple narrators, many tales are told by different people, so very different points of view are juxtaposed. Time is fluid and, in the manner of oral story-telling, moves back and forth. The reader needs to work a little.
The most startling revelation, that a black slave owner can end up owning his own parents and siblings, shifts the familial dynamics in ways that surprise and shock. Black slave owners inhabit two worlds. To be taken seriously as businessmen and women, they must be seen to be working within established systems. The Abolitionists are making progress, yet the move towards freedom is fraught with moral, social and political complexities. For the slaves, their known world can feel safer than the new one on the horizon.
The Known World is a novel that creeps up on you. You feel inhabited by something sinister and unpalatable, but also unputdownable.
Pike River Mine (aros 16)
look around your room and
note all the items made possible
by coal
they're going to seal the mine
they'll not be forgotten
cyclone coming (aros 15)
across the harbour
the hill has disappeared
trees do a synchronized lean to the left
godwits seek shelter
in the local coffee shop
the hill has disappeared
trees do a synchronized lean to the left
godwits seek shelter
in the local coffee shop
Visiting Nellie (aros 14)
Eyes closed, she works her gums. Clasped hands busy stroking fingers that no longer straighten. Pearls caught up on the collar of her blouse clash with the bling broach fastened to cardigan caught up on the wrong button. Hair cut short for convenience not style. I push aside the walking frame and reach to stroke her hand. Half seeing eyes ping open. 'Oh, hello love.' Teeth go in. The room lights up with her smile.
Wednesday, January 12, 2011
Tuesday, January 11, 2011
Monday, January 10, 2011
Weather (aros 11)
Georgia USA snowed in.
Queensland's disappeared under water.
New Zealand has drought.
Still raining in Fiji.
Anyone getting what they want?
Big Bug (aros 10)
A bug walked into my bedroom last night as if he owned the place.
I crept out...
left him to it.
I crept out...
left him to it.
Saturday, January 8, 2011
Forgiveness (aros 9)
She brings me chocolates and pleads forgiveness
this girl with the turkey laugh who kept me awake for two whole nights with her drunken antics.
this girl with the turkey laugh who kept me awake for two whole nights with her drunken antics.
A book worth talking about... Camping on the Faultline
Camping on the Faultline, a memoir by Marilyn Duckworth, is worth talking about primarily because of its resemblance to the celebrity gossip magazines we wouldn't be seen reading in public. I thought I might get an insight into the writing life of a well known and much lauded NZ author. Well, I suppose I did, of sorts.
A restless spirit, Duckworth claims she writes her best when she's away from home. That said, flitting between two countries, forty-nine houses, twelve schools, four husbands and many lovers, clearly contributed to her considerable writing output. This book, however, let me down. All I learnt was who, of the NZ literati, was in bed with whom throughout the flirtatious 50s, through the sexy 60s to the naughty 90s. They were all at it and Ms Duckworth holds nothing back. They're all in there. All the writers we think of as being the core of the NZ literary scene of that period. I'm not going to drop names, but, Maurice Shadbolt is in there... and Fleur Adcock running off to wed Barry Crump? Of course most of this was pre The Pill days and so inevitably multiple children ensued from the couplings of various combinations of spouses, lovers, mistresses and what have you. Too old to be considered hippies, they'd missed Bohemia by miles. So what drove them to leap from bed to bed, relationship to relationship? The word 'creativity' is tossed around and although there are references to several of Duckworth's books, there's no real insight into the creative process and nothing that significantly links the events of her hectic love life to that of her writing life. To be honest, I felt exhausted for her and not at all surprised that she needed to upsticks and leave, yet again, in order to concentrate on writing. Haven't we all felt that urge? However, after husband number four, I lost interest in these people. Ms Duckworth doesn't regret any of it, she says. And clearly, it worked for her.
A restless spirit, Duckworth claims she writes her best when she's away from home. That said, flitting between two countries, forty-nine houses, twelve schools, four husbands and many lovers, clearly contributed to her considerable writing output. This book, however, let me down. All I learnt was who, of the NZ literati, was in bed with whom throughout the flirtatious 50s, through the sexy 60s to the naughty 90s. They were all at it and Ms Duckworth holds nothing back. They're all in there. All the writers we think of as being the core of the NZ literary scene of that period. I'm not going to drop names, but, Maurice Shadbolt is in there... and Fleur Adcock running off to wed Barry Crump? Of course most of this was pre The Pill days and so inevitably multiple children ensued from the couplings of various combinations of spouses, lovers, mistresses and what have you. Too old to be considered hippies, they'd missed Bohemia by miles. So what drove them to leap from bed to bed, relationship to relationship? The word 'creativity' is tossed around and although there are references to several of Duckworth's books, there's no real insight into the creative process and nothing that significantly links the events of her hectic love life to that of her writing life. To be honest, I felt exhausted for her and not at all surprised that she needed to upsticks and leave, yet again, in order to concentrate on writing. Haven't we all felt that urge? However, after husband number four, I lost interest in these people. Ms Duckworth doesn't regret any of it, she says. And clearly, it worked for her.
Girl with the Turkey Laugh (aros 8)
Petite, toned body. So drunk she can hardly stand up. A laugh like a pregnant turkey. She has no idea what a mess she looks. Projecting coolness like... you know, like... ah shit...
Thursday, January 6, 2011
Community Service (aros 7)
The siren goes. The waiter puts down his pad and takes off his apron. Two men running across the road, tearing off green supermarket shirts as they go. The schoolmaster rolls up on his bike. Here's the postman, the real estate agent, the builder. City folk, holiday-makers, stand and stare, open mouthed, as the fire engine emerges. This is community service.
Tuesday, January 4, 2011
Monday, January 3, 2011
Croquet (aros 4)
Way down there there's a hoop. Small and very narrow. This ball... this red ball that's my ball... it'll never reach it, will it?
Sunday, January 2, 2011
Saturday, January 1, 2011
New Year Baby (aros 1)
I'm participating in the 'river of stones' project for January... see link in my side bar. This is my first 'small stone'.
A young man showed me his new baby today. Tiny, it lay cradled in his arms. Wrapped in shop bought blanket against the sea breeze it clung to his finger. The young man beamed. Bare feet, surfer shorts, sun-bleached hair. No more than a baby himself.
A young man showed me his new baby today. Tiny, it lay cradled in his arms. Wrapped in shop bought blanket against the sea breeze it clung to his finger. The young man beamed. Bare feet, surfer shorts, sun-bleached hair. No more than a baby himself.
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